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Book by Plumly, Stanley

• Sales Rank: #5275100 in Books
• Brand: Brand: Ecco Pr
• Published on: 1983-09
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 52 pages

Features

• Used Book in Good Condition

Review
After Rilke
After Whistler
American Ash
Another November
Blossom
Button Money
Chertea
Chinese Tallow
Commelina Virginica
Dark All Afternoon
Fifth & 94th
Ground Birds In Open Country
In Passing
Lapsed Meadow
Maples
The Missionary Position
My Mother's Feet
Nag's Head
Posthumous Keats
Promising The Air
Snowing, Sometimes
Sonnet
Summer Celestial
Tree Ferns
Two Moments, For My Mother
Valentine
Virginia Beach
Waders And Swimmers
Wildflower
-- Table of Poems from Poem Finder®

Most helpful customer reviews

4 of 4 people found the following review helpful.
One of the Poetry Collections I Turn to Again and Again
By jen hatala
Stanley Plumly is one of my very favorite poets, and one of my greatest influences. Three of the poems from this collection stand out in particular: "After Whistler"; "Promising The Air"; and "Maples". "After Whistler" includes such turns of phrase as "There in the calendar dark" which are words you feel physically and understand emotionally.
In "Promising The Air", Plumly describes a woman who dreams of a small boy and cries for him in her sleep, and he finishes the poem by dedicating it to her and "for the boy"-- which is a Stevens-like abstraction of acknowledging the real force and presence of the dream boy.
In "Maples", Plumly describes a vacation with his parents, the "honey moon" in the trees, and driving along the road in the dark.
I am describing all of these poems from memory because I know them so well; Plumly is one of the most important contemporary poets we have and deserves far more attention.

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This exciting new history of graphic design explores its evolution from the late 19th century to the present day. Organized chronologically, the book illuminates the dynamic relationship between design and manufacturing as well as the roles of technology, social change, and commercial forces on the course of design history. The layout of each chapter reflects the unique style of the period it describes, and some 450 illustrations throughout the volume provide a visual record of more than one hundred years of creative achievement in the field.
Under the influence of William Morris and the Arts and Crafts movement in the late 19th century, a new era began for design arts. Fueled by popular Art Nouveau advertising, the work of graphic designers became central in the growing consumer goods economy. This book traces the emergence of varied modernist design styles in the early 20th century and then examines the wartime politicization of regional styles through American government patronage and revolutionary Soviet ideas. Richly contextualized chapters chronicle the history of the Bauhaus and the rise of the International Style, followed by the postmodern movement of the 1970s and '80s. After highlighting recent developments in graphic design around the globe, the author discusses the impact of inexpensive, powerful design software and the challenges facing designers now.

• Sales Rank: #324218 in Books
• Published on: 2007-10-25
• Original language: English
• Number of items: 1
• Dimensions: 1.60" h x 8.97" w x 11.69" l, 5.46 pounds
• Binding: Hardcover
• 464 pages

Review
"Eskilson’s user-friendly text has excellent coursebook potential for college-level classes in the history of graphic design. The book highlights and defines key terms, visually spotlights central information within chapters, and displays high-quality, detailed images throughout. Graphic Design: A New History will draw students in with exciting imagery and expand their knowledge with an engrossing narrative that presents an evolution of events unfolding as with any captivating plot."—Rebecca Klein Ganz, Savannah College of Art and Design
(Rebecca Klein Ganz)

“Graphic Design: A New History might well become a new standard in the field of critical graphic design history. A great strength of the book is the author’s attention to the relation of graphic design to larger social issues, especially the formation of national identity. Another is his facility in visual analysis and ability to elucidate the meanings embedded in the formal aspects of design and typography. The book effectively integrates graphic design history into contemporaneous aesthetic debates, and relates the work to fine arts, decorative arts, and architecture. The illustrations are remarkably good, extensive, and well printed. The text has at least a brief discussion of every piece illustrated, which makes it an excellent resource and provides students with a model of how to deal with design analytically. I would recommend this book for college-level history of graphic design courses, and as a general background text for a graduate-level introduction to the field.”—Ethan Robey, Parsons The New School for Design/Cooper-Hewitt, National Design Museum
(Ethan Robey)

“Stephen Eskilson’s new book, Graphic Design: A New History, is a comprehensive, thorough, well-illustrated and up-to-date survey of graphic design history. Amassing almost 500 pages, along with hundreds of color images, Eskilson’s new book should most certainly share shelf space with Philip Meggs’ History of Graphic Design, which until now has really been the only complete history of this relatively young but ever more prevalent design field. Eskilson’s book presents visual examples and contextual descriptions of how print, advertising, and design evolved and responded to currents in mainstream social, cultural, and political affairs. Students should find the book accessible, readable, and full of necessary introductory information. This volume offers enormous amounts of useful facts and background, and without a doubt it would be an appropriate book for any student of graphic design.”—Lucinda Hitchcock, Rhode Island School of Design
(Lucinda Hitchcock)

"An excellent survey of graphic design from the late 19th- to the early 21st century, this book is well written, highly accessible, and demonstrates sound scholarly research. Although the main focus is on the 20th century (unlike Philip B. Meggs's History of Graphic Design), this work compliments the prior with a much expanded contextual and historical framework. The author establishes connections to social, political, cultural, and technical developments that influenced the aesthetic outcome of graphic design work over time. The book is superbly illustrated in full color, which makes for a much better appreciation, understanding, and absorption of the topics discussed, and includes many lesser known samples from within the design discourse. Lastly, the text truly leads up to the most recent 21st-century developments in design, issues with which design students and professionals are currently grappling. Graphic Design: A New History is excellent for use with coursework in graphic design as well as other cultural studies classes, both at colleges and art schools.”—Henk van Assen, Yale University School of Art
(Henk van Assen)

“Stephen Eskilson has written an expansive new book on the history of modern graphic design. Rather than reconstruct the typical 'pyramids to Picasso' chronology, he begins with a richly detailed and insightful summary of the later part of the 19th century and assembles a remarkably thorough review of art and communications from the avant-garde and the war years to the international style, post modern design, and digital media. Interspersed with examples of architecture, references to contemporary essays and journals, and both familiar and new illustrations, it is perhaps the most inclusive, thorough, and up-to-date assessment of design available. It will prove accessible to students, authoritative to professionals and educators, and will provide an excellent basis for a comprehensive understanding of essential developments in contemporary visual culture. This is one of the most comprehensive and detailed texts I have encountered and is essential reading for any student or designer studying the history of 20th century design.”—Doug Wadden, University of Washington (Doug Wadden)

"What makes this history 'new' is the author's focus on the role that technology has played, for better or worse, in the evolution of design style."—Lisa Rossi, Wall Street Journal (Lisa Rossi Wall Street Journal 2007-12-15)

"[Eskilson] has done excellent work. . . . Anyone with a serious design library should consider acquiring Eskilson's new history. It will serve as a reliable reference and a fruitful compendium of visual ideas."—Ellen Lupton, I.D. International Design Magazine (Ellen Lupton I.D. International Design 2008-04-01)

". . . . To awaken greater appreciation for both the creativity and the impact of this often-discounted art form, art historian Eskilson has created a uniquely comprehensive, discerning, and vital history. . . . Eye-opening on many levels."—Booklist (Booklist)

Selected as a Choice Outstanding Academic Title 2012 for Art and Architecture within the Humanities category. (Outstanding Academic Title Choice 2013-05-22)

About the Author
Stephen Eskilson is associate professor, Art Department, Eastern Illinois University. He is coauthor of Frames of Reference: Art History and the World and publishes frequently on contemporary art and design.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Awesome
By Amazon Customer
Awesome product

21 of 22 people found the following review helpful.
Don't wait till your professor assigns this book . . .
By Robert S. Petersen
Eskilson's New History is a long overdue addition to textbooks on Graphic Design that before now have had to largely suffice with the sporadically updated Meggs' History of Graphic Design. Eloquent and illuminating, Eskison spans the modern age and then goes deep into contemporary design with a fine attention to the artistic and technical developments in the field. Eskilson pays special attention to the challenges and creative solutions that graphic designers have devised with valuable insights into the society that these designs were made for. Eskilson is especially effective in drawing out connections between graphic design and larger world events, such as: the growth of British World War I propaganda posters and their subsequent impact on the raw emotional power of propaganda design, the London Underground on popularizing Modernism, and motion graphics and the blurred boundaries of new digital technologies. One of the great strengths of this text over Meggs' text is the way Eskilson ably links innovations in Modern Art and Architecture with developments in Graphic Design. Too often the history of Graphic Design has been treated as a study that only concerns fellow designers and the interactions between Graphic Design and the Fine Art world have been given short shrift.

While Eskilson is chiefly interested in communicating the broad outlines of Graphic Design History for an undergraduate audience, to call this book a textbook is to do a great disservice to the extraordinary design layout, which can certainly hold its own against any other fine art book stacked up on your coffee table. Yale UP and Eskilson are to be praised for the gorgeous selection of large color reproductions. Don't wait till your professor assigns this book, buy this one just for the pleasure of enjoying a great read and a beautiful design.

15 of 17 people found the following review helpful.
Not as good as Meggs.
By Steven J Cox
I have read this text (cover to cover) for a History of Graphic Design class I teach. In the past, I have used the classic Meggs History of Graphic Design. I decided to try another text this semester, and I will be going back to Meggs next Spring. I found the higher number of images in Eskilson's book initially appealing, and from a quick scan of the text, it seemed fine. However, digging deeper into the text, I found that the price paid for all the pretty pictures was a less comprehensive text with some weird omissions.

Aside from skipping a significant amount of important territory in early design history (Guttenberg is in the "preface"? Really?), there were other inclusions and omissions that gave this text the feel of an editorial on design history, not a textbook. I don't care - or want to know - the personal design tastes of Eskilson. I don't want to know his political bent. I want to know the facts. Let my students and I evaluate the merits of a given design movement or designer.

The biggest omission (in my opinion) in this book was the complete absence of any work from David Carson. While we can argue the merits of his work, he was clearly a significant, important designer in the 90's. Much more than Tomato(!?) or Art Chantry. The text pertaining to Carson smells of personal distaste, not objective analysis. This, again, has no place in a history text. A book that is a series of critical essays on the history of design? Absolutely! But not a book claiming to be history, not opinion.

Others have mentioned the inaccuracies in the text, so I will leave it at was already said.

OK, one (of many) minor peeve: when writing about the psychedelic posters of the 60's, Eskilson refers to "Richard Griffin". A 5-minute scan online will show that the artists' name is Rick Griffin (I'm not talking about his birth certificate, but how he signed his work - all of it that I know of). Is this a big deal? No, but it communicates a lack of personal knowledge of the field - whether this is justified or not - that reduces the perceived credibility of the author. If I wrote a book on physics, and referred to "Al Einstein", I would not be taken seriously.

Enough. I'm done ranting. If you're really interested in the History of Graphic Design, get the Meggs book and expand out from there. I now view the Eskilson text as an additional resource, not a main reference source.

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In today's health care environment, occupational therapy practitioners in clinical and leadership positions must be prepared to ensure that clients receive the highest quality of care; personnel morale and efficiency remain high; businesses and organizations are profitable; and the occupational therapy profession is recognized by other health care professionals, reimbursers, and clients as a valuable service steeped in evidence. This book can help occupational therapy practitioners become capable, effective leaders across all practice settings.

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• Sales Rank: #182127 in Books
• Published on: 2010-12-01
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x 1.60" w x 8.30" l, 3.35 pounds
• Binding: Perfect Paperback
• 651 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Good information!
By M. Allen
Many more chapters than the 4th edition and the chapters relate the content to occupational therapy well. A manageable read.

4 of 5 people found the following review helpful.
Common sense info, book falling apart, too wordy, easy to read, dull
By Joy
Copy right is 2011 so info like reimbursement is outdated. Much of the information is common sense and a waste of the reader's time. (Statements like, "Practitioners opening their own business will be influenced by their financial situation and tolerance of risk." are a prime example of common sense text I didn't need to spend time on. ) Often too wordy. It is easy to read, but the material is dry. The book is a large, heavy paperback and after light use is falling apart at the binding. Finally, this book, like all textbooks, is overpriced. What publishers charge for textbooks is a crime when you consider you can get a best selling novel written by an award winning author for a fraction of the cost.

0 of 0 people found the following review helpful.
Four Stars
By Cho Cho
informative book

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• Published on: 1997-04-01
• Original language: French
• Dimensions: 6.30" h x .59" w x 9.25" l,
• Binding: Paperback

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An eyewitness account of how Panama, since 1968, has fallen victim to a line of military dictators who have fattened on the misery of a country once democratic and prosperous. The authors, an American novelist and a Panamanian journalist, were actors in the drama of Panama as well as observers. They tell the story of how the darkness fell on Panama, how the tyrants, from Omar Torrijos to Manuel Noriega, became creatures of the secret government of the United States, and were supported long after their true nature was known. It is the story of those tyrants killed, those they corrupted and those who were brave enough to stand up to them. Koster was also the author of "The Prince", "The Dissertation" and "Mandragon".

• Sales Rank: #1310274 in Books
• Published on: 1990-10
• Original language: English
• Number of items: 1
• Dimensions: 1.00" h x 1.00" w x 1.00" l,
• Binding: Hardcover
• 430 pages

From Publishers Weekly
This scathing indictment of U.S. Central American policy by an American novelist and a Panamanian journalist chronicles 21 years of misrule from the advent of Omar Torrijos to the fall of Manuel Noriega. In describing the power struggle following Torrijos's death in 1981, Koster and Sanchez charge that the Reagan administration helped Noriega, its "protege and accomplice," steal the '84 election, and they scoff at George Bush's claim to have been unaware of Noriega's involvement in drug traffic. The book deals primarily with the crimes and cruelties of Torrijos ("a tyrant, murderer, and thief") and Noriega ("an entirely untrustworthy, totally amoral, sadomasochistic sociopath"), and reveals how the U.S. "midwifed" the Panamanian dictatorship into existence in '68, supported it materially and morally in its various permutations, then cut out the very cancer it had created in last year's military intervention. A credible, informative report, it is, however, studded with angry charges not supported with documentation, for example, that Bush, when vice-president, shared a metaphorical bed with the dopers.
Copyright 1990 Reed Business Information, Inc.

From Library Journal
Researched and written several years before the downfall of Manuel Noriega, this book is a powerful indictment of U.S. policy in Panama. The authors (Koster is an American novelist and Borbon is an exiled Panamanian journalist) concentrate on the conflict between "visible" U.S. government policies and the "invisible" arrangements set in place by the CIA. The most effective sections of the book are the inside accounts of the abuses of power by Omar Torrijos and the brutality of Noriega's regime. Koster was an eyewitness to the U.S. invasion of Panama in December 1989, and he contributes an appropriate concluding chapter to the saga. Panama's descent into tyranny does not make for easy reading, but this is an extremely important book for any serious student of American foreign policy. Some of the authors' specific claims may be conjecture, yet the overall effect of the book is chilling and thought-provoking. For academic and public libraries.
- Thomas A. Karel, Franklin & Marshall Coll. Lib., Lancaster, Pa.
Copyright 1990 Reed Business Information, Inc.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Essencial History of Panama and the dynamics of a dictatorship
By Ricardo Koster
I am biased towards this book. My father wrote it and I lived through some the events or observed while living abroad. This is required reading to understand American foreign policy in Latin America, Panama today, and the dynamics of military governments. Give it a try. You won't be disappointed.

25 of 27 people found the following review helpful.
The Tyrants, the USA and Panama
By Michael King
I found a copy of the Time for Tyrants in Panama in 1999, and read it in total fascination. I had my own background having visited the country periodically since the period of Torrijos in the 70s, and was a frequent visitor in the period 1986 to 1989, while my firm was trying to complete a contract there.
The book provides a no holds barred detailed account of how the systematic corruption developed under Torrijos and how the torch or key to the cash box was passed to Norriega.
The book records the initial visits by Torrijos to Sweden in the 70s related to major power projects which started the cash flowing, and thereby established the rewards for those that controlled the government. Torrijos and then Norriega set up and maintained the system of total control by non elected individuals.
An important element of this book by Koster and Sanchez is their description of how the US government supported the various tyrants as part of their Canal policy throughout this period until the last year of so of Norriega's reign.
During the last two years of Norriega up to the American invasion the book details the murder, torture, kidnapping and destruction of democracy that were directly orchestrated by Norriega, and the failure of the half hearted attempts by the US government to control or remove him.
As the book recounts, the last two terrible years of Norriega were not necessary. The US government could have dealt with the problem earlier, and avoided the misery that fell on Panama.
During my visits through 1988-1989 I was witness to the abuse of Norriega's "dobermans", and the resistance, especially from the white collar segment of the population. Panama was a seriously dangerous place for everyone at that time.
Koster and Sanchez also imply that there is a culture in Panama that made this saga posible. That Martin Torrijos (son of Omar) could be a credible and nearly successful candidate for President in the 1999 elections illustrates this message only too well.

1 of 3 people found the following review helpful.
All of Panama's history except for...........
By thomas bleming
This book is certainly one of the most comprehensive on Panamanian history. Within its pages are a treasure trove of historical information on Panama's past history and the author put forth an great amount of effort in his reasearching of available information for this book.
Mr. Koster left out a very important event, perhaps by accident, seeing as he was unaware, that in 1979, Panama was invaded by an armed force of Americans, who had planned to overthrow the late General Omar Torrijos and assassinate his military intelligence chief (Lieutenant Colonel Manuel Noriega).
I should know, I was one of those involved in this effort and I have written a book ("Panama-Echoes From A Revolution"), which tells all about this long forgotten piece of Panamanian history.
My book certainly adds this historically important part to Mr.Koster's great work.

See all 4 customer reviews...

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This is a dictionary of terms used in acoustics. It provides in-depth and informative definitions of the terminology and concepts used in acoustics. The terms are in alphabetical order.

The science and technology of acoustics embrace an unusually wide range of disciplines, from aircraft noise reduction to ultrasonics in medicine, and from psychoacoustics to signal processing. The student of acoustics must become familiar with a corresponding range of specialist terms in order to communicate with others and to understand the literature.

Here, for the first time, in one informative dictionary, are listed authoritative definitions covering most of the relevant fields, apart from music and speech, that the practicing acoustician needs to understand.

The author has drawn on experience gained during a long career spent mostly at Southampton University's multidisciplinary Institute of Sound and Vibration Research and has been able to draw on the expertise of specialists in the various fields.

The Dictionary of Acoustics is intended as a supplementary text for students students in acoustics, in the departments of Engineering and Physics. The Dictionary of Acoustics is also a valuable quick reference for researchers engineers and physicists in industry and academia who deal with acoustics.

• Sales Rank: #2487162 in Books
• Published on: 2000-10-10
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x 1.00" w x 6.14" l, 1.68 pounds
• Binding: Hardcover
• 430 pages

From the Back Cover
The science and technology of acoustics embraces an unusually wide range of disciplines, from aircraft noise reduction to ultrasonics in medicine, and from psychoacoustics to signal processing. The student of acoustics has to become familiar with a corresponding range of specialist terms in order to communicate with others and to understand the literature. Here, in one informative dictionary, for the first time, are listed accurate and helpful definitions to provide the student-or the specialist from another discipline-with a point of entry into the world of acoustics. The dictionary's 2600 entries cover most of the essential concepts and terminology that the practicing acoustician needs to understand, outside the subfields of music and speech communication. The author has drawn on experience gained during a long career spent mostly at Southampton University's multidisciplinary Institute of Sound and Vibration Research, supplemented by the expertise and perspective of a team of subject specialists.

The Dictionary of Acoustics is:

· broad-ranging and comprehensive, covering all areas of fundamental acoustics (except terms specific to music and speech)
· multilevel in its appeal: a reference source that can be used by undergraduates as well as Ph.D.-level researchers, practitioners, and consultants
· informative, with extended definitions of important concepts and a bibliography pointing to sources for further study
· easy to use: all entries are arranged alphabetically and are thoroughly cross-referenced
· supplemented with mathematical foundations and equations to add depth to definitions
· written in consultation with 15 advisors on special topics and reviewed by acousticians of international standing

Professor Christopher Morfey has almost 40 years of experience in acoustics, both in research and as a consultant. He is currently at the Institute of Sound and Vibration Research, Southampton University, UK.

About the Author
Professor Christopher Morfey has almost 40 years experience in acoustics, both in research and as a consultant. He is currently at the Institute of Sound and Vibration Research, Southampton University, UK

Most helpful customer reviews

0 of 0 people found the following review helpful.
excellent reference
By les
I find that I refer to this reference often in my work on clarification of standard terminology of the field, although I have worked in the discipline of acoustics for over 20 years.

This is a must have reference for the bookshelf!

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